Asian Art Museum new exhibition Tomb Treasures #2 : Dancer Figurine and Comment by Yuan Yuan Tan, #TombPleasures

Dancer Figurine

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This is my second post on the Asian Art Museum new exhibition.  This exhibition includes a creative approach which I personally appreciate very much.  It is the “Tomb Pleasures” self-guided tour with contemporary experts.

http://www.asianart.org/regular/tomb-pleasures

Ten contemporary experts commented on ten highlights of the exhibits.  I particularly like the comment on the Dancer Figurine by Yuan Yuan Tan, Principal Dancer of San Francisco Ballet.  She is my favorite ballerina in San Francisco Ballet.  I am very impressed not only by her performance in SF Ballet but also her comments on this exhibit.   Below is the picture I took in the gallery.  It includes the comments from Yuan Yuan Tan on the Dancer Figurine.  She said: “Certainly as long as any other form of human expression, dance is in our very nature to express ourselves and our desire to be understood.  It is a window into another’s soul.  Through the movements and expressions of dancers, we catch a glimpse of their inner monologue:  the joys, agonies, triumphs, and failures that are part of the universal human experience.”

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The female dancer figurine shows a very dynamic posture of the “flying swallow” dance.  It is very bold in its design 2200 years ago!  My reader Adelaide commented on my previous post that she found the dancer figurine very modern.  It is really eye-opening for us.   Apart from this figurine there is an ensemble of dancers in the gallery.  I took a few of these photos and created a short video on Magisto.  I am posting these photos and the video here which is also posted on YouTube.  Enjoy!

 

 

Asian Art Museum of San Francisco — Tomb Treasures, New Discoveries from the Han Dynasty

 

Last week, I visited Asian Art Museum of San Francisco with family and friends, to see this interesting exhibition.  My friends are all world travelers.  Visiting the Museum is one of the best travel programs for them.  In order to share with my friends and readers who may be interested to see this exhibition in future, I took many photos.  The museum allows photo taking without flash.  I am so thankful!

The exhibits include 100 objects which are new discoveries from the tombs of two kingdoms in the Han Dynasty (206 BCE to 220 BCE).  The exhibition is a collaboration of Asian Art Museum of  San Francisco and Nanjing Museum of China. There are lots of interesting information included in the gallery captions, the docent tours, as well as the exhibition catalog.  Apart from appreciating the beautiful artworks made two thousand and two hundred years ago in ancient China, I am thrilled that these objects also give us a glimpse of the way of life of the elites in the Chinese society.

I am particularly interested in the figurines of dancers and musicians.  The dancers wear long sleeves garments and show big movements that stimulate our imagination how the dances were appreciated at that time.  The bell set gives us some idea about the musical performance for the elite.  Many visitors may also be in awe seeing the jade suit and the jade coffin of the elite.

As inscribed on the artworks in the Tomb Treasures:  “Everlasting happiness without end” is probably the theme which may evoke visitors’ emotions.

I hope you will visit this exhibition which will end in May this year.  If I have time, I will study a little bit more some of those objects and share the information with you.  Meanwhile, I hope you will like these pictures shown in the gallery and slide show.  Just click any picture and you will see the photos shown in carousel.  Enjoy!

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Weekly Photo Challenge: Pure — My Notebook

This post is in response to the Weekly Photo Challenge: Pure The SFMOMA has just reopened after three years of renovation. As a member of SFMOMA for many years, I am very excited of its new look and expansion. Due to work, I was only able to visit the museum twice on Thursday nights. Both visits were […]

via Weekly Photo Challenge: Pure — My Notebook

Looking East at Asian Art Museum–How Monet, van Gogh and other Western Artists were influenced by Japanese Art and Culture

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If you live in San Francisco or travel here for a visit, this is an art exhibition that you will enjoy very much.  Asian art is not as commonly appreciated by most Americans, but the Impressionists are more popular.  You may be interested  to know that in the late 19th Century, a generation of artists and collectors embraced Japanese art, and created the trend called Japonism.  Impressionists and post-impressionists including van Gogh,  Cassatt, Degas, and Monet were much influenced by the Japanese art and culture.

In this exhibition, there are many paintings that you can pair the art work of the Western artists with the Japanese artists.  I usually don’t take pictures in the museum, but this time I was encouraged by the museum’s request:  SNAP and SHARE.  So, I did my part.  I took many pictures without flash and shared with you all.  Very often, artists inspire one another, but it is interesting to learn how they were inspired by other cultures without even having visited those countries.  We have social media nowadays and technology.  But what kind of communication did they have at that time?   Art has become the subject, as well as the media in communication.  Art has existed since the beginning of civilization.  It  never stops to inspire, to cultivate, and to appreciate.

I know very little about Japanese Art though I visited Japan many years ago through a work-study program in the university.  Ten years ago, I attempted to study Asian Art at the Asian Art Museum, but failed to complete the course due to work.  This exhibition has re-ignited my interest in this area.  I looked up some information via the internet and bought some books.  There are some interesting articles I found.  Take a look if you are interested.

Monet’s collection of Japanese prints: what are the historical and cultural factors, and how these two cultures met.  If you like, let us study a little and hold a discussion group, just to have fun.  Meanwhile, these photos I took told us lots of information.  The exhibition is still on till February 7. Don’t miss this opportunity.  See you there!

I also found this You Tube video from Asian Art Museum very educational.

Discovering the Impressionists: Paul Durand-Ruel and the New Painting

Renoir_396 (396x259)Renoir_396 (396x259)In July this year I attended a conference in Philadelphia.  On the last day of the conference before flying back to San Francisco,  I was glad that I had a few hours left to see this exhibition which I  had unfortunately missed in London on May 31, 2015, which  happened to be the last day of this show Inventing Impressionism in the National Gallery, and the first day of our UK vacation.  In Philly, the show was called  “Discovering the Impressionists: Paul Durand-Ruel and the New Painting”

Paul Durand-Ruel was a visionary art dealer and the champion of the new Impressionists who were subject to severe art critics and rejection. After the Impressionists had  become famous internationally, during the time of economic downturn, Paul Durand-Ruel was literally saved by the Impressionists whose paintings were particularly loved by the rich Americans.

In this extraordinary exhibition, there were paintings from museums all over the world including Musee d’Osay, Museum of Fine Arts Boston, Metropolitan Museum of Art etc. They were paintings of Monet, Renoir, Degas, Manet, Pissarro.  Although I had seen many Impressionists’ work in various  museums in the United States and Europe, it seemed to me that these were the extraordinary arising from the ordinary.  My favorites are these three Dance paintings of Pierre-Auguste Renoir. The Dance at Bougival was the one I had not seen before.  The other two: Dance in the Country and Dance in the City, which I saw some years ago at Musee d’Osay have always been my favorites.  To me, it was an emotional moment to see the three reunited.  These three paintings were bigger than life-size.  My eyes were glued at them for a very long time. I thought, when will they meet again after the show?  When will I see them again?

Hey, my friends! Bored by my self-muttering?  Let’s have some fun.  Here’s a trivia question for you.  What music did you hear?  Please share with me!

Diego Velazquez’s Las Meninas , a Masterpiece of Beauty and Puzzle–My Spain Trip #6

My dream to see this painting had finally come true!   This is one of my few “most desired to see” paintings.  My trip to Spain last year was one of my most satisfying one.  I did have the opportunity to visit three of the most famous museums in the world, and see three very important works of art while traveling.   Lucky me!

A visit to Prado Museum in Madrid was one of the most exciting programs in the itinerary.  We joined a guided tour.  Though the docent was excellent, I drifted away from the group when we came to this gallery where Las Meninas was placed. I was able to see this beautiful painting only a few feet away whereas my fellow travel mates were listening to the docent at the back.  My attention was completely absorbed into this amazing piece of art, imagining that I was among this group of individuals drawn by Diego  Velazquez who created a puzzle out of this picture.  No wonder this has become one of the most important paintings in the Western World!

Diego Velázquez’s masterpiece Las meninas (ca. 1656),

Museo Nacional del Prado

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Blake Gopnik , Washington Post staff writer, called Las Meninas an encyclopedia of artistic greatness, in his article: The Velazquez painting ‘Las Meninas’: An encyclopedia of artistic greatness. Gopnik said: “Las Meninas never stops giving: Every time you think you’re done, the picture insists that everything you’ve thought was wrong, and that you’ll have to start over from scratch. And instead of putting you off, it makes you enjoy that relentless perplexity.”

“The painting shows a large room in the Royal Alcazar of Madrid during the reign of King Philip IV of Spain, and presents several figures, most identifiable from the Spanish court, captured, according to some commentators, in a particular moment as if in a snapshot.[2] Some look out of the canvas towards the viewer, while others interact among themselves. The young Infanta Margaret Theresa is surrounded by her entourage of maids of honour, chaperone, bodyguard, two dwarfs and a dog. Just behind them, Velázquez portrays himself working at a large canvas. Velázquez looks outwards, beyond the pictorial space to where a viewer of the painting would stand.[3] In the background there is a mirror that reflects the upper bodies of the king and queen. They appear to be placed outside the picture space in a position similar to that of the viewer, although some scholars have speculated that their image is a reflection from the painting Velázquez is shown working on.”   http://en.wikipedia.org/wiki/Las_Meninas

 “Measuring “ten and a half feet by nine feet wide” (96), the painting’s near life-sized figures, along with its “spatial construction,” creates a sense of overwhelming realism, emphasizing complexities, such as literary-like symbolism, that confuse the viewer.”  (Natalia Rivera: Diego Velazquez’s Las Meninas ).

There are many intellectual discussion and interpretations of this painting. I am interested in the theory of Michel Foucault.

Michel Foucault devoted the opening chapter of The Order of Things (1966) to an analysis of Las Meninas. “We have pictures not simply of what things looked like, but how things were made visible, how things were given to be seen, how things were shown to knowledge and power.” Jonathan Rajchman, Foucault’s Art of Seeing.

After reading a few interpretations of this painting, I can’t help asking the same question like everybody else: What is this painting about?  Is it about power?  Whose power?  The Monarch’s power, or the people’s?

There is another very natural question: Who stands in front of the painting?  Most will say “the King and the queen?  No, I would say:  It is me, you and me! “The viewers complete the art’ ~ Marcel Duchamp.

Finally, I cannot end this post without referring to Picasso’s Las Meninas which is a series of 58 paintings that Pablo Picasso painted in 1957 by performing a comprehensive analysis, reinterpreting and recreating several times Las Meninas by Diego Velázquez. The suite is fully preserved at the Museu Picasso in Barcelona and is the only complete series of the artist that remains together. http://en.wikipedia.org/wiki/Las_Meninas_%28Picasso%29

We did see Picasso’s Las Meninas (all the 58 paintings of this suite).  Which one do I like best?

Although I am a big fan of Picasso, my answer is :  No doubt Velazquez’s Las Meninas is the greatest work of art in western cultures.. Picasso is my favorite artist but his Las Meninas is not my favorite painting.  My goal is to post Picasso’s most famous painting Guernica at the Museo Reina Sofía, Queen Sofía Museum next time.  Stay tuned, my friends.

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Pablo Picasso, The Maids of Honor (Las Meninas, after Velázquez) (Les Ménines, vue d’ensemble, d’après Velázquez), La Californie, August 17, 1957, Museu Picasso de Barcelona