This is in response to the Weekly Travel Theme – Dance
I like this theme very much because I do have lots to share. I have many dance pictures or videos which I took from my travels. I may have already posted some of them, but I may re-post them for some of my new readers. What I want to share today is the new Cinderella ballet performed in San Francisco last Friday.
This year’s run of Cinderella is all sold out. We are lucky to have secured our seats for Cinderella as San Francisco Ballet subscribers. We saw the Cinderella on Opening Night, May 3. I think it is a must-see dance event of the season: the U.S. premiere of Christopher Wheeldon’s magical new production of Cinderella!
I found the costumes particularly beautiful. To give you an overview of the design of Cinderella’s costumes, here’s a video posted on http://www.sfballet.org
” Inspired by the Brothers Grimm and Perrault fairy tales, this wildly imaginative co-production with Dutch National Ballet features something for everyone: dramatic music by Prokofiev, spectacular sets and costumes by Julian Crouch (renowned for his designs for Metropolitan Opera and the Broadway musical The Addams Family), and ingenious puppetry by Obie Award winner Basil Twist.” http://www.sfballet.org
Here are two short videos about them. http://www.sfballet.org
I found everything beautiful and fantastic, from the choreography to the performance of all the dancers, and from the set to the costumes. The critics in general gave it a very good rating although they often offered a few things that they would like to improve. To me, it was a perfect performance….except that I could not get another ticket to see it again this Season.
For the readers who would like to read the review from art critics, here’s an excerpt from San Francisco Chronicle :
SF Ballet review: ‘Cinderella’ charming
S.F. Ballet weaves an imaginative odyssey with Dutch troupe
Published 4:51 pm, Sunday, May 5, 2013
“The project, San Francisco’s first “Cinderella” in more than three decades, is a co-production with the Dutch National Ballet. Given the verve and wit on display in this American premiere, you’d think it had been custom-made for the local team of all-stars, most of whom seemed to be dancing somewhere in this performance.
All “Cinderella”s should look and dance as well as this one. But they would require a choreographer like Wheeldon, who sees the comic possibilities in even the most dire of situations and possesses both a feeling for the fantastic and a penchant for self-mockery. Friday’s performance may have stalled early in details of the back story in Craig Lucas‘ libretto (the choreography doesn’t really suit Prokofiev’s score, at this point), but once we are introduced to the mature Cinderella, her father, stepmother and hideously funny stepsisters, this ballet floats on a cloud of invention through a stunning Act 1 closer and beyond, to a breathtaking ballroom act.”
I am sorry if you don’t have the chance to see Cinderella this season. I am waiting for the second round too!